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This edited volume explores developments in contemporary Latin American filmmaking as a result of neoliberal political and economic measures. Contributors provide in-depth analyses of the way in which different national cinemas respond and react to globalization. Besides focusing on the three big film industries of Latin America (Argentina, Brazil, and Mexico), this book includes case studies covering films from Chile, Colombia, Bolivia, Peru, Cuba, Dominican Republic, and more. These chapters measure the impact of neoliberal practices and how national film industries cope, record creative interventions filmmakers stage from within and outside neoliberal economic systems, explore emerging, novel forms of political cinema, and analyze transnational strategies.
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